BIOGRAPHY
SUSAN WEIL’S MIXED-MEDIA WORKS address the plastic quality of time and space through processes of cutting, crumpling and refiguring her compositions. In allowing the viewer’s eye to contemplate a series of moments and perspectives at once, Weil generously gives an almost omniscient power to the viewer, as well as a sense not of fractured time, but of a more truthful depiction of genuine experience.
Her work is in many major international museum collections, including the Metropolitan Museum of Art, and The Museum of Modern Art, New York; the Moderna Museet, Stockholm, Sweden; the Victoria and Albert Museum, London, England; the J. Paul Getty Museum, Malibu, California; and the Asheville Art Museum, North Carolina.
Susan Weil with Self Portrait, 2000. Photo by José Betancourt
BIOGRAPHY
SUSAN WEIL’S MIXED-MEDIA WORKS address the plastic quality of time and space through processes of cutting, crumpling and refiguring her compositions. In allowing the viewer’s eye to contemplate a series of moments and perspectives at once, Weil generously gives an almost omniscient power to the viewer, as well as a sense not of fractured time, but of a more truthful depiction of genuine experience.
Her work is in many major international museum collections, including the Metropolitan Museum of Art, and The Museum of Modern Art, New York; the Moderna Museet, Stockholm, Sweden; the Victoria and Albert Museum, London, England; the J. Paul Getty Museum, Malibu, California; and the Asheville Art Museum, Asheville, North Carolina.
Susan Weil with Self Portrait, 2000.
Photo by José Betancourt
